Roman Baths Review - 6.9.08

 

 

Barefoot in the Bath, Revisited

 

Review by Ian Massey

Saturday 6th September: When you actually sit down and think about it, there are numerous venues in York where you can see live music for free . Although I speak from a position of limited experience (at last count I think I have only been to four such venues, although I have seen quite a few bands at one of them), I'm fairly certain that the majority of bands appearing at such places are covers bands. There are the odd exceptions, bands that perform their own material - the excellent Breathing Space spring to mind, although I have also paid to see them - but, for the most part, you can hear a lot of the same songs or, at least, the same style of song, weekend after weekend.

It's for that reason that I pick which covers bands I go out to see. The excellent, although now somewhat fractured, Hazzard County are always worth seeing, as were (are?) Freeway. There are probably others that I haven't had the good fortune to encounter yet. There are few, however, that I would go out of my way to see. In fact, so far, I have only come across one.

Tonight at the Roman Bath, it was the Chantel McGregor Band. I've seen (and mentioned) them before and there was little chance that I was going to miss tonight's gig.

The band has had a slight line-up change from the last time they were in York. Chantel and drummer Martin Rushworth have been joined by new bass-player Lincoln J. Roth (how much of a rock and roll name is that??!) who, incidentally, stands a good chance of pushing Brian May into second place if they ever both enter a Brian May look-alike contest... I can't find any mention of why the previous bass-player is no longer with the band, but tonight was only Roth's fifth gig. You couldn't tell - his lively playing, on stage exuberance, funky solo and familiarity with both the material and the other two members of the trio made it seem as though he had been part of the line-up forever.

Chantel herself (the small-statured strummer with a predilection for kebabs) looked more relaxed than the last time she played. I can't think of any obvious reason for this. If anything, the crowd was bigger than last time (one of the gang, turning up late, had to sneak in the back way after being refused entry at the front). Once again, she played brilliantly, with a seeming lack of any effort and managed to keep the audience entertained both with the music and with her stream of consciousness ramblings between songs. This time, there was no mid-set break and the band played for well over two hours, treating us to some of the best in rock and blues. Some of the songs were the same as last time, others were new. The set included, but was not limited to, covers of Jimi Hendrix (All Along t'Watchtower, Voodoo Chile, Purple Haze, Red House), Fleetwood Mac (Gold Dust Woman), Eric Clapton/Cream (Badge, Stormy Monday), Jethro Tull (Too Old to Rock and Roll) and Joe Bonamassa (Miss You, Hate You), as well as others that I can't find artists for - Up In t'Sky, One Of These Days, For The Love of God. I've left Chantel's broad Yorkshire versions of the titles in the list - those and her constant use of "Ta" brought even more smiles to the audience.
 

As expected, the playing was brilliant, with all three members of the band giving superb performances. As I have said before, it is too easy to run out of superlatives when talking about this band and, in particular, Chantel herself. She really does have to be seen for her playing to be believed. Unfortunately, according to her website, there are no more gigs planned for York for the rest of the year.

 

http://www.imassey.blogspot.com

 

 

 

 

Roman Baths Review - 6.9.08

 

 

Well there's a red house over yonder/That's where my baby stays

 

Review by Roger Butler-Ellis

Saturday 6 September – Come hell or high water, and the Ouse was pretty high in York today, nothing was going to stop us from being at The Roman Bath tonight. It was one of those rare occasions when we had a full turn out. Tonight, the Chantel McGregor Band.

I've enthused about Chantel before on this blog so I don't have to tell you what an amazing guitar virtuoso she is. Where Hendrix sweated and agonised over his solos, Chantel reproduces them with an air of nonchalance as if it's as natural to her as sipping tea and eating a kebab. She is stunning, awesome, gorgeous, a prodigy, and the sweetest, most self-effacing guitar-goddess on the planet. Ta.

Her fingers darted over the frets like spiders legs weaving a web on a speeded-up film and the four of us were reduced to watching, spellbound, incapable of doing anything other than dribble beer down our throats in silence. I didn't know some of the songs they played, but luckily the lady provided me with her set list. By way of a change I have provided some links to YouTube videos of some of her performances. They don't do her justice. It isn't possible. You just have to see her live. I urge you, you really have to see her live.

Had To Cry Today (Blind Faith), Badge (Cream), Lie No. 1 (Joe Bonamassa), Stormy Monday (T Bone Walker in the style of Clapton), Up in The Sky (Joe Satriana), Miss You Hate You (Joe Bonamassa), All Along The Watchtower (Dylan in the style of Hendrix), Landslide (Fleetwood Mac), I Can’t Make You Love Me (Bonnie Raitt), One Of These Days (Ten Years After in the style of Bonamassa), Gold Dust Woman (Fleetwood Mac), For The Love Of God (Steve Vai), Purple Haze (Hendrix), Red House (Hendrix), Daydream (Robin Trower), Voodoo Chile (Hendrix), New Day Yesterday (Jethro Tull in the style of Bonamassa). 

 

http://butlerellis.blogspot.com/

 

 

 

 

Roman Baths Review - 20.6.08

 

 

Sweet Jesus - I'm on fire - she has the sweetest darkside

 

Review by Roger Butler-Ellis

Friday 20 June – and tonight we are taking a chance on going to watch a band at The Roman Bath that we’ve never seen before, the Chantel McGregor Band (and on MyFace). We figured that if they were no good we could always pop down the road to The Terrace and watch a covers band.

I was running a bit late and the other guys were already there. The Druid was standing with his mouth open as Chantel had just finished a sound check that had left him speechless. And that was pretty much how the evening unfolded, as we all stood agog at this diminutive slip of a lass from Bradford who proceeded to rattle through some of the amazing guitar work that I’ve ever heard.

Chantel herself is just twenty-one and already qualified at grade eight and the holder of the prize for outstanding musicianship at the Leeds College of Music for 2006/2007. I simply don’t posses the vocabulary to express the talents of this pint-sized prodigy, you’ll just have to go and hear her for yourself. However, I did get the set list from the gig which I reproduce here to show the type of music that the band play so brilliantly. One Of These Days Ten Years After (in the style of Joe Bonamassa), White Room Cream, Up In The Sky Joe Satriani, Stormy Monday T-Bone Walker (in the style of Eric Calpton), Help Me Joni Mitchell, Daydream Robin Trower, All Along The Watchtower Bob Dylan (in the style of Hendrix), Gold Dust Woman Fleetwood Mac, Had To Cry Today Blind Faith, Tea For 1 Led Zepplin (in the style of Joe Bonamassa), Purple Haze Jimi Hendrix, Red House Jimi Hendrix, For The Love Of God Steve Vai, New Day Yesterday Jethro Tull (in the style of Joe Bonamassa), and Mountain Time Joe Bonamassa.

Check out her website for forthcoming gigs. She’s back in The Roman Bath at York on 6 September 2008 and so will I.

http://butlerellis.blogspot.com/

 

 

 

 

Roman Baths Review - 20.6.08

 

 

 

Barefoot in the Bath

Review by Ian Massey

Friday 20th June: I'm going to start this entry with a bit of a disclaimer. The old adage about art applies to me when describing my relationship with music. That is, I know nothing about music, but I know what I like. To be clear, I know nothing about making music (except what the instruments are called). My only brushes with any chance to play an instrument came at school where I ended up being able to play Frere Jacques on the recorder and spent one music lesson strumming one chord on a guitar whenever the teacher pointed to me. I can't read music and, under normal circumstances, I couldn't tell you whether somebody was playing or singing in the right key or not. To me, musicians are akin to magicians - they pick up items that I could probably make squeal or howl, fiddle about with them and produce, at very, least interesting sounds or, at best, something beautiful.

The preceding paragraph is a way of setting my stall out to explain that, when I write about music, I am writing about what I feel and think. The technical aspects are beyond me.

Which, finally, brings me to tonight's gig - The Chantel McGregor Band at the Roman Bath.

Chantel is a rock/blues guitarist who, according to her website, has owned a guitar since the age of three and started lessons when she was seven. Now, barely into her twenties, she has been described as a prodigy but has also been told that girls shouldn't play guitar the way she does - it scares the boys. Thankfully, she ignored this "wonderful" piece of advice.


My first impression on arriving was that Chantel herself was tiny and seemed a little nervous as she stood in the middle of the performance area while the sound check was completed. Then the nervousness seemed to fall away as she started playing what I thought was the first track of the gig - five minutes of delightful, multi-faceted guitar with a vocal section in the middle. The music was brilliant and I was a little surprised when, at the end, Chantel announced that that was the sound check complete and that they would be back in a few minutes. Definitely the best sound check I have ever heard.


Shortly after that my fellow music-lovers (both more knowledgeable in the technical aspects than me) arrived into a Roman Bath that was rapidly filling up. Although some people had walked out during the sound check, the pub was probably the fullest I had seen it since the last time Breathing Space played there. Judging by the various conversations going on, quite a few of the audience had seen the band play before.


The gig itself was another selection of covers but, unlike the cover bands that I expressed a bit of boredom with a few entries back, not only were the songs not the usual fare but were also added to and extended by Chantel's superb guitar solos. The various tracks came from the likes of Led Zeppelin (Tea for One), Jimi Hendrix (All Along the Watchtower, Purple Haze), Fleetwood Mac (a wonderfully heavy version of Gold Dust Woman), Jethro Tull, Cream (The White Room) and many more that I didn't recognise. Chantel's apparent nervousness had, by now, completely disappeared and she showed a good rapport with the audience who were, in turn, appreciative of the wonderful music. (As usual, apart from the shouters in the back - why stay in a music pub if all you want to do is chat??) Certainly the guys I were with had a good time. At least one of them was seen frequently shaking his head in wonder at the exceptional level of guitar-playing, made all the more incredible by the fact that, for most of the time, there appeared to be little effort of concentration involved. Vocally, I thought Chantel was more than adequate, especially given that the majority of the songs she was performing were originally sung by males. She performed with a certain doe-eyed innocence, which belied the formidable sounds coming from her guitar.


Now, out of the so-called "top" guitarists I have, arguably, seen three of them live - Eric Clapton, Brian May and Chris Rea. In my opinion, Chantel is up there with them. It's beyond belief, to me, that somebody with this much talent is playing in pubs. You could run out of superlatives to describe her. She really does have to be seen to be believed and I hope that I get the chance to see her again soon.

http://www.imassey.blogspot.com

 

 

 

 

Rock of The North/East Leeds Lions Review 24.3.08

 

East Leeds Lions Easter rally - 23.3.08

Rock of The North Review - Steve Lally

After Saturday night's blizzards, there were still plenty of revellers to watch an absolutely stunning set from Chantel McGregor, the wee Yorkshire lass with the big guitar sound. Chantel has talent and charm in equal quantities and my god her talents are awesome. She played a 2 hour plus set with her brilliant band much to the pleasure of many 45 to 60 year olds...yes this 21 year old has a dream repertoire with material from Blind Faith, Cream, Jimi Hendrix,10 Years After and Jethro Tull...not forgetting Steve Vai. She goes from strength to strength so see her before she gets too famous. As a guitar player she is beyond reproach but Chantel's vocals are too often ignored because she's awesome on guitar. Let me put the record straight...Chantel sings with skill, tonal richness and perfect phrasing. She's got the lot, a huge talent without question. Chantel's band are very high quality players too and deserve special praise. 

East Leeds Lions Review - Graham Hollings

Sunday was bad with the weather and a lot of people had just said enough is enough and headed home unbelievable to say last year it was shorts and T shirts all weekend. Chantel Mcgregor and her band played to maybe two to three hundred hard core people but my god there reaction to this young lady sounded like 1500, the crowd hung on every note in amazement, a very talented band and Chantel was her usual giggling self but who plays like a demon a fantastic performance even Zac Dingle from Emmerdale was there enjoying the music, there was a throng of people back stage asking for her autograph which she obliged without question.

 

 

 

 

 

Lancashire Daily Telegraph review - 24.3.08

 

Blues event’s 20th birthday bash goes with a bangHome

BLUES fans have ensured Burnley's world-famous festival went with a bang as the event marked its 20th birthday.

Thousands have descended on Burnley Mechanics from around the UK and mainland Europe for the sold-out blues extravaganza.

And old favourites and young up-and-comers appear to have captured the limelight, both on the main stage and downstairs in Oliver's Bar.

Kirk Worley, Mechanics manager, said the crowd for blues chanteuse Chantel McGregor, in Oliver's, was possibly the largest he had seen in the bar.

"People were coming out saying that it was amazing that a performer that young was so good on a guitar," said Kirk.

Saturday headliner Little Willie Littlefield appeared on the original festival bill in 1988 and was glad to receive an invitation to return to East Lancashire two decades on.

The festival also featured a European slant on the blues, courtesy of Copenh-agen's Thorbjorn Risager, who appeared on Friday in a showcase by new event sponsors Aircelle, which also featured Earl Thomas and Little Charlie and the Nightcats.

Guitar and harmonica workshops, by festival stars Michael Roach and Johnny Mars respectively, were packed out, as were blues cruise' boat trips along the Leeds Liverpool canal aboard the Foulridge-based Marton Emperor.

 

 

 

 

 

Review in The Crack Magazine February 2008

 

 

 

 

Review in Leeds Music Promotions August 2007

 

 

Review in Blues In Britain - August 2007

The Chantel McGregor Band

The Bridge, Huddersfield, 10.6.07

 

Those seeking a peaceful Sunday afternoon pint would be well advised to give this public house a wide berth. The Sabbath day regulars here like their live music played loud, and 2pm finds some of West Yorkshire’s (and beyond) finest strutting their stuff at this Colne Valley rockers haven.

The first set was well underway when I arrived. Feeling almost guilty in interrupting the barmans wide eyed enjoyment of a staggering take on Joe Satriani’s ‘Up In The Sky’, I nursed my drink to a stage-side table to obtain a better view of the source of his distraction. The pint-puller’s amazement was understandable – 21 year old Chantel McGregor is blonde, petite and has the smile of an angel. Wearing a white summer dress with matching sandals, she could have stepped out of one of those Cadbury’s Flake TV adverts from the 70’s. But as Willie Dixon so rightly summed it up, ‘You Cant Judge A Book By Looking At The Cover’. This girl from Bradford plays a mean guitar, and how! The equally youthful Nick Green (bass) and the more mature Martin Rushworth (drums) provide the smooth rhythmic platform of this impressive power trio.

It’s a refreshing change to see a young guitarist playing with such feel, devoid of histrionics and facial grimaces bar those that come with ‘holding big notes when your fingers cramp; it doesn’t half hurt’. There were some fine moments of restraint too – ‘Stormy Monday’ and ‘Red House’ were particularly well constructed and found Chantel’s controlled soloing matched by her naturally strong expressive voice.

She also possesses a spontaneous sense of humour that borders on the whimsical, best exemplified when (on just after discovering the impossibility for herself) inviting the audience to try, from a standing position, to bend down to pick up a drink placed on the floor when clenching the buttocks!

Jimi Hendrix is a big favourite, and the trio did more than justice to renditions of ‘Little Wing’, ‘All Along The Watchtower’, ‘Purple Haze’ and ‘I Like Marmite On Toast’. That last one left us scratching our heads. Could it be one of his yeast known songs? Sounded like a beefed-up version of ‘Voodoo Chile’ to me.

The welcome inclusion of Joe Bonamassa’s ‘Miss You, Hate You’ indicated that this band isn’t just looking to the past for inspiration.

However, my favourite of the day was from a time gone by and came after Chantel tackled the complexities of Steve Vai’s ‘For The Love Of God’ with ease. Prompting a member in the room (I suspect a frustrated guitarist) to call out, good naturedly, ‘alright smart arse, what yer goin’ to do now?’ What she did do, superbly, was remind me of just what a good rocking number Blind Faith’s ‘Had To Cry Today’ was, with Martin doing his best to emulate Ginger Baker’s thunderous stick-work.

They encored with Jethro Tull’s ‘A New Day Yesterday’, given a treatment reminiscent of some of Gary Moore’s heavier outings, which pleased the moshers in the pub no end. This had literally been a blast of a gig, and I urge anyone who loves classic rock and blues to check this trio out. I’ve a sneaking suspicion they could go far.

Martin Byrom

 

Online Gig Review - Early blues.com - may 2007

Chantel McGregor Band Performing at Dr Okells for the Leeds Blues Festival 2007 © Copyright 2007 Tony Higgins. All Rights Reserved.'It was to Dr Okells for Chantel McGregor a 21 year old guitar player and her band who play mixture of blues and rock music. Chantel is an excellent guitarist and her versions of Jimi Hendrix's Voodoo Chile and  Little Wing can only be described as a great tribute to the man himself. She also plays songs by Jethro Tull, and also plays her own brilliant version of Led Zeppelin's Rock n' Roll. Chantel and her band are well worth seeing. In fact there are not many guitar players of Chantel's age with so much talent.'

www.earlyblues.com/leeds blues festival

 

Article In Blues Matters - May 2007

 

Blues MattersChantel McGregor

blues beyond

"Guitar prodigy" Chantel McGregor (pictured above), and current Leeds College Of Music's 'Musician of the Year', has parted company with the King Bz to form The Chantel McGregor Band. The three-piece line-up sees Chantel on vocals and guitar, joined by Nick Green on bass, and Martin Rushworth on drums. 'The band takes the technicalities of Vai and Satriani, blends this with the excitement of Hendrix, and adds a feel for the Blues beyond her 21 years, to create high energy Blues-Rock in the vein of Joe Bonamassa and Aynsley Lister.' More details, including videos and gig listings at:

www.bluesmatters.com

 

Review of Station Tavern Gig - huddersfield

Many thanks to Paul for this wonderful review, and I wish him all the best with his magazine and website!!!

Article by Paul Abraham for Leeds Music Promotions -

 www.leedsmusicpromotions.com